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Top 7 Motion Graphic Design Demo Reel Mistakes

Monday, July 4th, 2011

Category: Articles

We see a lot of demo reels roll through our doors and we see the same mistakes happen over and over again. Here are the top 7 mistakes we see regularly.

  1. Using template material – Come on designers! Stop using material in your reels that is not your own. If you can buy it, download it or learn it in a tutorial it should not go into your reel, no matter how cool that sparkly lens flare looks. You may fool the average consumer, but any design firm or agency can sniff someone else’s design work in your reel from a mile away.
  2. It is so long we fell asleep - Your reel should be no longer than a minute. Only put work in your reel that shows that you have the skills and the experience to get the job done right. If it is outdated, poorly designed or doesn’t show well than don’t put it in your reel. The purpose of your demo reel is to get more work, not deter it.
  3. Poor render quality – You could have the best work in the business, but if it doesn’t show well than you will have a hard time landing that big contract. If you work in HD then render in HD! Who doesn’t love watching great reels in 720 HD at fullscreen? When you output your reel at standard def or lower it demonstrates that you lack the care for quality and preservation of detail.
  4. Who made this? - We hate coming across great reels and having to hunt and peck to determine who made it. Open or close your reel with your contact information. This could include your name, email, website and phone number.
  5. Lacks presentation skills – When we look at reels we look at everything and take it into consideration when we hire. This includes your website design, branding, video quality, typography, color theory, communication and overall professionalism. We also snoop past your reel if it is linked to a Vimeo account, Twitter feed, YouTube account, website or blog. Make sure your links, sites and accounts are squeaky clean. The more professional you look, the more likely we will trust you with our cherished clients.
  6. Stale hard bread – Just the other day we were sent a reel with a date that was four years old! In the design industry four years is like four decades. Especially when it comes to motion graphics. As times passes, design style change and your level of craftsmanship should be improved . Your reel should be updated yearly and only contain your most current and best looking work.
  7. Flat out lying - Not too long ago we received a resume from a designer who stated they had twenty years of experience in motion graphics and After Effects. We found this hard to believe because the most early seedlings of After Effects weren’t born more than 18 years ago. Nonetheless we gave the designer the benefit of the doubt and let his reel do the talking. If his reel could speak it would say, “I’m an average designer that lacks creativity, style and experience.” Let’s just say they never got a call back from us. In short don’t lie. It will be obvious your a fake when we watch your reel or past work examples.

For more tips on creating a better motion design reel check out “Five Steps to a Better Motion Demo Reel” by GSG.



Looking for voice over talent?

Thursday, August 26th, 2010

Category: Useful tools, Web links

Over the past year I have produced a few videos that needed a voice over track. I tried a few local shops to do the work for me and everything turned out great, but it took a long time to book the talent, book the studio and wait for the track to be edited and sent to me.

It wasn’t until I found Voice123 that recording VO tracks became fun again. Voice123 is a free service for the buyer that connects you with great voice talent. It only takes a few minutes to post a project, set your budget and within 24 hours you should already have a few auditions to review. Make sure to try Voice123 for your next project.

Web link: Voice123



Top 5 Sites for AE Scripting Resources

Wednesday, March 3rd, 2010

Category: Tutorials, Web links

1. After Effects Scripts

2.Dan Ebbert’s Resource for AE scripting and expressions

3. Creative Cow After Effects Scripting

4. XScriptorium

5. AE Enhancers

Honorable mention
Greymachine’s 5 Favorite Expressions



10 Inspiring Motion Graphics Blogs

Wednesday, March 3rd, 2010

Category: Tutorials, Web links

1. Video Copilot Blog

2. Motionworks

3. Aetuts+

4. Grayscalegorilla

5. VisualFXtuts

6. Maltaannon

7. Graymachine

8. Amateur Media

9. AE Portal News

10. Maxafter



How to be a Motion Designer and get paid

Wednesday, November 11th, 2009

Category: Articles, Web links

Nick Campbell from Greyscale Gorilla made a great presentation at MGFest titled “How to be a Motion Designer and get paid“. He covers such topics as:

  • What classes should I take?
  • How do I market myself?
  • I’m about to graduate. How do I get my first job?
  • Do I need school?
  • I’m the best at my job… Now what?
  • How do I learn the skills necessary to become an artist?

How to Be A Motion Designer and GET PAID from Nick Campbell on Vimeo.



Unplugged by Motionworks

Tuesday, November 10th, 2009

Category: Web links

John Dickinson has been producing a great online video series called Unplugged. His 30 minute webisodes are casual interviews with leading motion graphic designers in the industry such as Andrew Kramer from Video Copilot, Peder Norrby from Trapcode, Aharon Rabinowitz from All Bets Are Off and Nick Campbell from Greyscale Gorilla to name a few. John has produced 13 outstanding episodes so far and all his fans are looking forward to watching many more.



Washed Out H.264 Encoding Video Fix

Wednesday, September 9th, 2009

Category: Web links

Have you ever rendered an MP4 on your Mac using the H.264 codec to find that your newly encoded video was washed out? I have been stung by this phenomenon for far too long so I did some research to find the cure to this awful disease.

From my understanding the root of the problem involves an issue between QuickTime and Core Video. Since 2005, the release of QuickTime 7, this problem has resulted in a gamma shift that lightens the video on playback making it look washed out. source

The best solution I found was to render the video using the free x264 VideoLAN encoder. QuickTime can render this out as a .MOV file and ffmpegX can render it out as a .MP4.

Other solutions include changing your color profile settings on your OS, using a different video player that doesn’t utilize Apple’s Core Video such as Nice Player, or there are settings within Quicktime player to correct it:
“Select ‘Show Movie Properties.’ Highlight the video track then click on the ‘Visual Settings’ tab. Towards the bottom left you should see ‘Transparency’ with a drop-down box next to it. Select ‘Blend’ from the menu then move the ‘Transparency Level’ slider to 100%. Right after that, choose ‘Straight Alpha’ from the same drop-down and close the properties window. and finally, ‘Save.’ source

Written by Jeff McIntosh



After Effects Lexus Tutorial by Barbecue

Monday, July 20th, 2009

Category: Tutorials

Barbecue Design created an amazing commercial for Lexus Toyota Hybrid Drive using After Effects and Trapcode plug-ins. Ruediger was nice enough to put together a three part tutorial on how he did a lot of the effects in the commercial. What is even more exciting is that he is allowing me to provide downloads for these videos.

Here are the links:

Part 1
Part 2
Part 3



Demystifying After Effects Render Settings

Tuesday, May 26th, 2009

Category: Articles

A lot of new After Effects users and sadly even seasoned users get hung up when it comes to rendering their videos. The most common mistake that I have seen people make when rendering their videos is choosing the “Animation” compression type when outputting a QuickTime video file. This results in ridiculously huge file with an unnecessary level of detail. This blunder is soon followed by another when the inexperienced user tries their hand at the AVI output setting. More frustration overcomes the user when they experience a tremendous loss to the level of quality in their video, long render times and large files. When it comes to rendering videos for the playback or further video editing leave the “Animation” and “AVI” outputs to the pros.

Rendering High Quality Video for Further Encoding

The Quick-Time “Photo – JPG” compression type is what you should be using if you are archiving source files from AE, rendering video to import into your video editor or rendering video to later encode into video playback format like WMV, MP4 or MPEG. “Photo – JPG” compression can create relatively small video files without sacrificing much of the the quality of the video. That is why “Photo – JPG” is the compression type of chose when it comes to stock video clips bought over the web. The quality is superb and the file size is manageable.

Two things you should keep in mind when it comes to the settings for these two compression types. One is compressor depth and the other is compressor quality. The depth is the bit-depth of color. For “Photo – JPG” you want to keep this on Color. Compressor quality is something to be noted when using “Photo – JPG” because it determines overall compression quality. It is a good practice to keep this marker somewhere on “High” (If you choose “Best” you are going to be left with a very large file.)

Rendering High Quality Video for Easy Distribution and Playback

It is common to render a video straight from After Effects into a playable file that is good for the web or universal distribution. On a Windows machine or on a Mac equipped with Flip4Mac, Window Media Video (WMV) is a good choice if the viewers will be Windows based. A general set of WMV export settings are as follows: WMV Standard, One pass, constant bit rate (CBR), Quality of 80 and a Bit rate of 2000 Kbps  SD, 3000 Kbps for WS-SD and 5000 Kbps for 720p.

Another common form of distribution is the Flash Video (FLV) file format. A general set of export settings for this file format are as follows: Max data rate 650-2000 Kbps, On2 VP6 video codec (Sorenson Spark is a less desirable alternative) and a frame rate “Same as Source”.

Lastly one of my favorite formats to render video in is xH.264. This produces a very high quality video that that is small in file size. At times this can be a very complex format to use because of all the setting variations, so stick with the factory presets if you are unsure. Here are some general settings I like to use: NTSC, CBR of 2Mbps, Progressive field order, square pixels and “main” profile with a level of 3.0.

Written by Jeff McIntosh



5 Sites for Royalty Free Music

Tuesday, October 21st, 2008

Category: Articles

1. Stockmusic.net
A great stock music site with some nice features like “find more like this” links, embedded flash music preview players, and one click download available demos. Tracks sell for $29.95.

2. Revostock
A growing collection of stock music and sound effects. The site offers rollover music previews, extended license options and in depth file specifications. Tracks sell for $10-40 depending on the licensing agreement you choose.

3. Narrator Tracks
A nicely composed collection of stock music in a user friendly format with well written descriptions. Tracks sell for $34.95.

4. The Music Bakery
A well categorized collection of stock music and effects available in different audio formats and lengths. The tracks sell for $34-47.

5. The Beat Suite
An expanding site of music beats that are well categorized and easy to preview with embedded flash players. The tracks sell for $20-60.

Honorable mention: The Best Sites for Royalty Free Music

Written by Jeff McIntosh



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